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Showing posts with label Manila. Show all posts
Showing posts with label Manila. Show all posts

Thursday, March 12, 2026

Unknown Filipino in History: Jose Palma

José Palma

Filipino Poet, Soldier, Journalist, and Author of the Lyrics of the Philippine National Anthem
(1876 – 1903)



Birth Name:

José Palma y Velásquez

Birth Date:

June 3, 1876, in Tondo, Manila, Captaincy General of the Philippines

Death:

February 6, 1903, Manila, Philippine Islands




José Palma was a Filipino poet, soldier, journalist, and patriot best remembered for writing the Spanish poem “Filipinas” in 1899, which later became the official lyrics of the Philippine National Anthem. Though the anthem's stirring melody had already been composed by Julián Felipe in 1898, it was Palma's eloquent and passionate poem that gave voice to the aspirations of the Filipino people during their struggle for independence.

A gifted writer and nationalist, Palma belonged to the generation of young Filipinos who came of age during the Philippine Revolution and the Philippine-American War. He combined literary brilliance with military service, using both the pen and the sword in the fight for his country's freedom. Although he died at the young age of twenty-six, his contribution to Philippine history became immortal through the national anthem, whose modern Filipino version, Lupang Hinirang, traces its origins directly to his poem.



Early Life and Family Background

José Palma was born on June 3, 1876, in Tondo, Manila, during the final decades of Spanish colonial rule in the Philippines. He was one of the children of Hermenegildo Palma and Hilaria Velásquez.

The Palma family was known for producing talented intellectuals and patriots. Among José's siblings was Rafael Palma, who would later become a distinguished journalist, politician, and the fourth president of the University of the Philippines.

Growing up in Manila during a period of increasing nationalist sentiment, José was exposed to the ideas of reform, liberty, and Filipino identity at an early age. The execution of José Rizal in 1896 and the outbreak of the Philippine Revolution profoundly influenced his generation.

Palma received his primary education in Manila and later pursued secondary studies at the prestigious Ateneo Municipal de Manila, where he demonstrated exceptional talent in literature and writing. He became particularly proficient in Spanish, then the language of government, education, and intellectual discourse in the Philippines.



Literary Talent and Early Writings

From a young age, Palma displayed remarkable poetic ability. Influenced by Spanish Romanticism and the nationalist writings of Rizal and other Filipino intellectuals, he began composing poems that blended patriotism, idealism, and emotional depth.

His literary style was characterized by elegant language, vivid imagery, and a strong sense of national pride. While still a student, he earned recognition among his peers for his mastery of Spanish verse and his ability to express political and patriotic themes through poetry.

Palma belonged to a generation of Filipino writers who used literature as a weapon against colonial oppression. Through poetry and journalism, they sought to awaken national consciousness and inspire resistance against foreign domination.



Service in the Philippine Revolution

When the Philippine Revolution erupted in 1896 against Spanish colonial rule, José Palma joined the revolutionary cause. Like many educated young Filipinos of his generation, he felt compelled to contribute directly to the struggle for independence.

Rather than limiting himself to literary pursuits, Palma enlisted in the revolutionary forces and served as a soldier. He became associated with the revolutionary government established by Emilio Aguinaldo.

During the final stages of the revolution and the subsequent declaration of Philippine independence on June 12, 1898, Palma continued to support the nationalist movement. His experiences as a soldier gave him firsthand knowledge of the sacrifices being made by Filipino revolutionaries.

When the Philippine-American War broke out in 1899 following the transfer of the Philippines from Spain to the United States, Palma remained committed to the cause of independence and continued serving in the struggle.



The Creation of “Filipinas”

The achievement for which José Palma is remembered above all others occurred in 1899.

The revolutionary government already possessed a national march. On June 12, 1898, Julián Felipe's Marcha Nacional Filipina had been performed during the proclamation of Philippine independence in Kawit, Cavite. However, the composition had no accompanying lyrics and existed solely as an instrumental piece.

Inspired by the continuing struggle for independence, Palma wrote a Spanish poem entitled “Filipinas.” The poem first appeared in the newspaper La Independencia on September 3, 1899.

The poem consisted of verses celebrating the beauty of the Philippines, the courage of its people, and their determination to defend their homeland against foreign domination. Its opening lines became among the most famous in Philippine literature:

Tierra adorada,
Hija del sol de Oriente...

The poem was later adapted and set to the melody composed by Julián Felipe. The combination proved powerful and enduring, transforming the revolutionary march into a true national anthem.

Unlike many national anthems that were written by a single creator, the Philippine National Anthem emerged through the collaboration of two patriots: Felipe, who provided the music, and Palma, who supplied the lyrics.



The Philippine National Anthem

Palma's poem rapidly gained popularity among Filipino revolutionaries and civilians alike.

As the years passed, Filipinas became firmly associated with Felipe's composition. During the American colonial period, the anthem continued to serve as a symbol of Filipino nationalism despite official restrictions on nationalist expressions.

The original Spanish lyrics remained in use for several decades. In the 1930s, an English translation titled “The Philippine Hymn” was introduced. Later, following Philippine independence, a Filipino-language version evolved and eventually became the official lyrics known today as “Lupang Hinirang.”

Although the modern lyrics differ from Palma's original wording, they retain the patriotic spirit and themes he expressed in Filipinas: love of country, honor, sacrifice, and devotion to freedom.

Because of this contribution, José Palma occupies a unique place in Philippine history as the man whose words became the voice of the nation.



Journalism and Intellectual Pursuits

In addition to his military service and poetry, Palma worked as a journalist.

He contributed articles and literary works to nationalist publications, including La Independencia, the official newspaper of the revolutionary government. The newspaper served as an important medium for spreading revolutionary ideals and informing Filipinos about developments in the struggle for independence.

Palma's writings reflected his commitment to national sovereignty and cultural identity. He believed that literature could inspire patriotism and strengthen the resolve of the Filipino people during times of hardship.

His journalism complemented his poetry, allowing him to participate actively in both the intellectual and political dimensions of the nationalist movement.



Final Years and Death

The years of war and political turmoil took a heavy toll on many Filipino revolutionaries, including José Palma.

After the collapse of the First Philippine Republic and the establishment of American colonial administration, Palma continued his literary activities. However, his health began to deteriorate.

He contracted tuberculosis, one of the deadliest diseases of the era. Despite medical efforts, his condition worsened.

On February 6, 1903, José Palma died in Manila at the age of only twenty-six.

His premature death deprived the Philippines of one of its most promising young literary talents. Nevertheless, the poem he wrote only four years earlier had already secured his place in history.



Literary Legacy

Although his life was brief, José Palma left an enduring legacy in Philippine literature and nationalism.

His poem Filipinas is considered one of the most important patriotic works ever written by a Filipino. It captured the ideals of the revolutionary generation and articulated a vision of a nation willing to sacrifice everything for liberty.

Palma's work continues to be studied in schools, commemorated in historical writings, and remembered whenever Filipinos sing their national anthem.

Today, he is honored as both a literary figure and a patriot whose words helped define the identity of an emerging nation.



Selected Literary Works


Filipinas (1899)

His most famous poem and the original Spanish lyrics of the Philippine National Anthem.


Melancólicas

A collection of poems reflecting themes of patriotism, love, idealism, and personal reflection.


De Mi Jardín

A compilation of poetic writings showcasing Palma's literary style and mastery of Spanish verse.


Contributions to La Independencia

Numerous patriotic essays, articles, and poems published during the revolutionary period.



Interesting Facts and Trivia


Soldier-Poet

Unlike many national anthem lyricists, José Palma was an active revolutionary soldier who participated directly in the struggle for Philippine independence.


A National Anthem Born from a Newspaper

The poem Filipinas was first published in the revolutionary newspaper La Independencia before becoming associated with the national anthem.


Younger Than Many National Heroes

Palma wrote the lyrics that would become the national anthem at only twenty-three years old.


A Family of Intellectuals

His brother, Rafael Palma, became one of the most influential Filipino educators and later served as President of the University of the Philippines.


Original Language

The first lyrics of the Philippine National Anthem were written entirely in Spanish, reflecting the language of educated Filipinos during the late nineteenth century.


An Immortal Legacy

Although Palma died at twenty-six, his words continue to be sung by millions of Filipinos during flag ceremonies, national celebrations, and official events.



Historical Significance

José Palma occupies a singular place in Philippine history. While many revolutionaries fought with weapons and many writers fought with ideas, Palma did both. As a soldier, he defended the dream of an independent Philippines. As a poet, he gave that dream its most enduring voice.

More than a century after his death, every performance of the Philippine National Anthem echoes the patriotic spirit first expressed in his poem Filipinas, ensuring that José Palma's contribution to the nation remains forever alive.





Infobox DataInformation
NameJosé Palma
Birth NameJosé Palma y Velásquez
CaptionJosé Palma, author of Filipinas, the original Spanish lyrics of the Philippine National Anthem
BornJune 3, 1876
Birth PlaceTondo, Manila, Captaincy General of the Philippines, Spanish East Indies
DiedFebruary 6, 1903 (aged 26)
Death PlaceManila, Philippine Islands
Resting PlaceManila, Philippines (exact burial details are not well documented in historical records)
NationalityFilipino
CitizenshipFirst Philippine Republic (during his revolutionary service)
OccupationPoet, Soldier, Journalist, Writer
Years Activec. 1896–1903
LanguageSpanish
EducationAteneo Municipal de Manila
Alma MaterAteneo Municipal de Manila
GenrePoetry, Patriotic Literature, Journalism
Literary MovementPhilippine Nationalism, Revolutionary Literature
Known ForWriting Filipinas (1899), the Spanish poem that became the original lyrics of the Philippine National Anthem
Notable WorksFilipinas (1899), Melancólicas, De Mi Jardín
Military AllegianceFirst Philippine Republic
Military ServicePhilippine Revolution; Philippine-American War
RankRevolutionary officer (specific rank uncertain in surviving records)
Political AffiliationPhilippine Independence Movement
ParentsHermenegildo Palma and Hilaria Velásquez
SiblingsRafael Palma and other members of the Palma family
ReligionRoman Catholic
Influenced ByJosé Rizal, Spanish Romantic poets, Filipino nationalist writers
Signature AchievementAuthor of Filipinas, published in La Independencia on September 3, 1899, later adapted as the lyrics of the Philippine National Anthem
National SignificanceRecognized as the lyricist of the Philippine National Anthem
LegacyHis poem Filipinas provided the original lyrics for the anthem melody composed by Julián Felipe, becoming one of the most enduring patriotic works in Philippine history.




Sources

  1. National Historical Commission of the Philippines. José Palma and the Evolution of the Philippine National Anthem. Historical Archives and Educational Materials.
  2. Ocampo, Ambeth R. Meaning and History: The Philippine National Anthem. Manila: Anvil Publishing.
  3. Agoncillo, Teodoro A. (1990). History of the Filipino People (8th Edition). Garotech Publishing.
  4. Zaide, Gregorio F. (1970). Great Filipinos in History: An Epic of Filipino Greatness in War and Peace. Verde Bookstore.
  5. Manuel, E. Arsenio (1955). Dictionary of Philippine Biography (Volume 2). Filipiniana Publications.
  6. National Library of the Philippines. Historical Records Collection on José Palma and La Independencia.
  7. Schumacher, John N., S.J. The Propaganda Movement, 1880–1895: The Creation of a Filipino Consciousness, the Making of the Revolution. Ateneo de Manila University Press.

Wednesday, March 4, 2026

Unknown Filipino in History: Edilberto Evangelista

 

Edilberto Evangelista 
First Filipino Civil Engineer and Revolutionary General 
(1862 - 1897)




While many Filipinos recognize his name from the major street in Quiapo or the military camp in Cagayan de Oro, few realize that Edilberto Evangelista was the "Engineer of the Revolution." A man of immense intellect, he was one of the few Filipinos of his time to hold a high-level European degree in engineering, which he used not for personal profit, but to design the sophisticated trenches and forts that allowed the poorly armed Filipino rebels to withstand the might of the Spanish Empire.

Edilberto Evangelista was a brilliant strategist and a brave soldier who proved that the Philippine Revolution was not just a struggle of bolos and grit, but also one of science and mathematics. General Emilio Aguinaldo once remarked that if the Revolution had a brain like Rizal and a sublime paralytic like Mabini, it had its master builder in Evangelista.


Childhood and Education

Edilberto Evangelista was born on February 24, 1862, in Santa Cruz, Manila. He was the son of Agaton Evangelista and Faustina Sablan. Growing up in a modest household, he showed early academic promise. He completed his primary education in Manila and eventually earned his Bachelor of Arts from the Colegio de San Juan de Letran in 1878.

Seeking to improve his family's standing and satisfy his hunger for technical knowledge, he initially worked as a cattle dealer and a tobacco merchant. However, his life took a pivotal turn when he traveled to Europe. In 1890, while in Madrid, he met Jose Rizal. It was Rizal who suggested that Evangelista study engineering, noting that the Philippines would soon need builders and technical experts to modernize the nation once it gained independence.

Following Rizal’s advice, Evangelista moved to Belgium and enrolled at the University of Ghent. He excelled in his studies, graduating in 1896 with a degree in civil engineering and architecture. He was the first Filipino to graduate from this prestigious institution. Despite receiving lucrative job offers from the Belgian government to work on infrastructure projects in Europe and South America, the echoes of the 1896 Revolution called him home.


The Engineer of the Revolution

Evangelista arrived back in Manila in September 1896, just as the revolution was gaining momentum. He was immediately suspected by Spanish authorities and was briefly imprisoned. Upon his release, he fled to Cavite to join the forces of Emilio Aguinaldo.

Aguinaldo was quickly impressed by Evangelista's technical background. He was commissioned as a Lieutenant General and tasked with the fortification of Cavite. Evangelista applied modern European military engineering to the Philippine landscape. He designed a complex system of trenches, redoubts, and forts that were so well-constructed that Spanish generals were shocked to find "European-style" defenses manned by "indios."

His most famous achievement was the fortification of Binakayan and Dalahican. During the Battle of Binakayan in November 1896, his defensive designs allowed the Filipino revolutionaries to deliver the first major defeat to the Spanish regular army. His trenches were deep enough to protect soldiers from artillery fire and angled to provide optimal fields of fire.


Death and Legacy

Edilberto Evangelista’s life was cut short during the Battle of Zapote Bridge on February 17, 1897. As he was directing his troops and inspecting the defenses, he stood up to get a better view of the enemy's positions. At that moment, a Spanish sniper’s bullet struck him directly in the forehead. He died instantly at the age of 34.

His death was a massive blow to the revolutionary cause. Aguinaldo wept at his funeral, realizing he had lost his most capable military engineer. Evangelista's body was buried in the cemetery at Bacoor, Cavite, but his legacy lived on in the fortifications that continued to hold back the Spanish forces for months after his passing.



Interesting Facts and Trivia

  • Rizal’s Protege: Evangelista was so close to Jose Rizal that Rizal once wrote to his family about the young engineer's "extraordinary talents."

  • The First Engineer: He is officially recognized as the first Filipino civil engineer to have graduated from a foreign university.

  • The "Science" of War: Unlike many revolutionary leaders who relied on "anting-anting" (amulets) and raw courage, Evangelista insisted on using surveying tools, maps, and mathematical calculations to determine where to dig his trenches.

  • A Belgian Offer: He turned down a salary that would have made him a very wealthy man in Europe just to return to the Philippines with no guarantee of safety or pay.

  • Camp Evangelista: The headquarters of the 4th Infantry Division of the Philippine Army in Cagayan de Oro City is named "Camp Evangelista" in his honor.

  • Quiet Brilliance: Peers described him as a man of few words but immense action. He was often seen carrying his surveying equipment and transit level onto the battlefield rather than a ceremonial sword.



Sources

  1. Agoncillo, T. A. (1990). History of the Filipino People. Garotech Publishing.

  2. Quirino, C. (1995). Who's Who in Philippine History. Tahanan Books.

  3. Zaide, G. F. (1970). Great Filipinos in History. Verde Bookstore.

  4. National Historical Commission of the Philippines (NHCP). Biographical entries on Revolutionary Generals.

  5. University of Ghent Archives. Records of Filipino Alumni (1890-1900).

Thursday, February 26, 2026

Unknown Filipino in History: Crispulo Zamora

Crispulo Zamora
Engraver, Silversmith, and Sculptor
(1871 - 1922)


His name is etched on the backs of countless historical plaques, academic medals, and monuments across the country, but little do most Filipinos know that the man behind "Crispulo Zamora & Sons" was a trailblazing artist and a master metalworker whose legacy is deeply ingrained in Philippine history.

Crispulo de Guzman-Mendoza Zamora was a prominent Filipino engraver, silversmith, and sculptor considered the foremost artisan in his field during the late Spanish and American occupational eras in the Philippines. He was not just a businessman, but a classically trained artist who revolutionized the metalworking and engraving industry in the country. From producing religious ornaments and military decorations to crafting commemorative medals for momentous national events, his artistry captured the political, religious, and cultural shifts of his time.

He successfully transitioned from a skilled craftsman to an industrial pioneer, transforming his father's modest Quiapo workshop into a highly acclaimed national enterprise. He secured significant commissions, including the design of medals and ornaments for the U.S. Army, the Philippine Constabulary, and various units of the Reserve Officers' Training Corps (ROTC). After his passing, his firm became an institution of its own, serving the government and private sector for generations and setting the standard for metallurgy and engraving in the country.


Childhood and Matrimony

On June 10, 1871, Crispulo Zamora was born in Sampaloc, Manila, to Mauricio Zamora, a skilled silversmith who taught him the early foundations of the craft. His formal education in the arts began with private lessons from Jose Flores, after which he enrolled at the prestigious Academia de Dibujo y Pintura from 1890 to 1893. There, he trained under distinguished masters Lorenzo de Icaza Rocha and Melecio Magbanua Figueroa. He furthered his studies under Felix Lorenzo Martinez at the Escuela Practica y Professional de Artes Oficios de Manila.

During his time at the Academia, he met a fellow student, Pelagia Gotianquin Mendoza. Pelagia was an exceptional artist in her own right, historically recognized as the first female sculptor in the Philippines. The two later married, and their union produced several children, including Vicente and Clemente. Instead of pursuing independent sculpting careers, the couple merged their talents to manage and elevate the family engraving business. Following Crispulo's death, Pelagia took over the enterprise, introducing modern techniques she learned from her international travels and leading the company to even greater acclaim.


Artistic and Sculptural works

Crispulo Zamora was celebrated as the finest engraver of his time, blending classical art training with meticulous metalworking. After graduating, he initially worked with his brothers under their father's shop before establishing his own legendary reputation. His works ranged from large-scale civic pieces to intricate religious items. Some of his most notable religious creations included the highly detailed chanter of the Manila Cathedral, the exquisite crown for the icon of the Virgin of Peñafrancia in Naga, and the 18-karat gold scepter designed in 1908 for the revered image of Our Lady of La Naval de Manila.

He was highly sought after for state and historical commemorations. In 1907, Zamora designed and struck the official bronze and silvered-bronze medals celebrating the First Philippine Legislative Assembly and the visit of U.S. Secretary of War William Howard Taft. His portfolio also included creating detailed plaques featuring the likenesses of prominent global figures, including U.S. Presidents Theodore Roosevelt and Woodrow Wilson, King Alfonso XIII of Spain, and Emperor Yoshihito of Japan.


Collections

Today, Zamora's works are highly prized by numismatists, historians, and museums. Rare medals, such as the 1907 First Philippine Assembly pieces bearing his distinct "CZ" initials, remain highly sought-after artifacts in Philippine numismatics and are carefully cataloged by collectors worldwide.

Beyond private collections, his firm's large-scale castings belong to the public sphere. The Zamora business was contracted to cast major historical monuments and plaques, including the brass markers for the iconic Gomburza National Monument in Plaza Roma, Intramuros. The intricate molds, dies, and historical markers produced by his foundry over the decades formed a vast physical collection that shaped the visual identity of Philippine civic and military honors.


Other Interests

Apart from his technical mastery in metallurgy, Zamora was deeply invested in the modernization of local industry. He and his wife Pelagia shared an intense interest in international art styles and technological advancements.

This curiosity drove them to study foreign techniques, exploring how different nationalities applied their artistry and technology in the production of arts and crafts. This interest in global methodologies allowed them to modernize the Philippine engraving and metalworking industry far beyond the traditional Spanish-colonial methods they inherited.


Serving the Public

While not a politician like Epifanio de los Santos, Zamora served the public by becoming the de facto visual historian of the Philippine government. Starting out as an apprentice in Quiapo, Crispulo eventually took the helm of the family trade and elevated the craft to an industrial scale.

Under his leadership, he provided essential services to the state by minting official government awards, military insignias, and public monuments. His firm dominated the local market for trophies and medals, winning numerous local and international awards. The company was so vital to public infrastructure and state ceremonies that it was legally recognized by the Philippine government, holding such a prominent status that acts of the Philippine Legislature (such as Act No. 3867 in 1931) specifically cited financial transactions and contracts with his firm.


Death and Legacy

On October 11, 1922, Crispulo Zamora passed away. Though his life was relatively short, the institution he built far outlasted him. His wife Pelagia, and later his sons, continued the business, maintaining its status as the premier engraving and metal-crafting firm in the country for decades.


Viuda e Hijos de Crispulo Zamora

For much of the 20th century, the name "Viuda e Hijos de C. Zamora" (Widow and Sons of C. Zamora) stamped on the back of a medal, plaque, or historical marker was a guarantee of excellence and prestige.

It became the gold standard for official government commissions, ensuring that Crispulo Zamora's legacy survived through the Commonwealth era, World War II, and into the modern Republic.

The business became a testament to the enduring partnership between him and Pelagia, proving that their combined artistic vision could forge a lasting industrial empire that recorded the nation's most important milestones.

He was one of the first native artisans to elevate a traditional craft into a highly respected, formalized industry that chronicled the nation’s milestones in bronze, silver, and gold. And he did it with unparalleled skill, marrying artistic elegance with industrial utility. Just as his contemporaries used the pen to define the Filipino identity, Zamora used the crucible and the chisel.

"Every medal, every historical marker, and every monument cast in the fires of his foundry was a permanent testament to a nation's unfolding history. Crispulo Zamora did not merely record the triumphs of his era; he forged them into enduring physical form, proving that the Filipino artisan was second to none."



Sources:

Lakbay ng Lakan - https://lakansining.wordpress.com/tag/crispulo-zamora/


Review of Women's Studies (Women Artists in 19th Century Philippines) - https://scispace.com/pdf/women-artists-and-gender-issues-in-19th-century-philippines-3p1ipxn21d.pdf


JAA Philippine Medals & Tokens - https://coins.www.collectors-society.com/wcm/CoinView.aspx?sc=629771




Monday, February 23, 2026

Unknown Filipino Hero: Epifanio de los Santos

 

Epifanio de los Santos
Historian and Scholar
(1871 - 1928)



The famous highway named after him was just the acronym EDSA for most Filipinos but little did they know that this great man is an intellectual and patriotic the level and contemporary of Jose Rizal.

Epifanio de los Santos y Cristóbal, sometimes referred to as Don Pañong or Don Panyong, was a prominent civil servant, journalist, and historian from the Philippines. He was a prominent civil servant, journalist, and historian from the Philippines. In addition, he practiced law, was a philosopher, a bibliophile, a biographer, a painter, a poet, a musician, a literary critic, a librarian, and an antique collector. Some people considered him to be among the greatest Filipino authors of his era.

He also got involved in politics, representing Nueva Ecija as a member of the Malolos Congress from 1898 to 1899 and then as governor of Nueva Ecija from 1902 to 1906. In 1900, he was appointed district attorney of San Isidro, Nueva Ecija, and subsequently served as fiscal of Bataan and Bulacan provinces. He was appointed in 1918 as the Philippine Census's assistant technical director. In 1925, Governor General Leonard Wood named him Director of the Philippine Library and Museum, a position he held until his passing in 1928.



Childhood and Matrimony

On April 7, 1871, Epifanio de los Santos was born in Potrero, Malabon, Manila Province, to Escolastico de los Santos of Nueva Ecija and pianist Antonina Cristóbal y Tongco, who was well-known for her harp and piano skills. He earned a Bachelor of Arts degree from the Ateneo Municipal de Manila. Although he spent some time painting, music eventually became a part of his everyday life, and he was even given a professorship in the field. After completing his legal education at the University of Santo Tomas, he took the bar exam in 1898. He worked as a private secretary to a high-ranking Spanish official after graduating, a role that was somewhat like to that of a solicitor-general.

When he committed himself to collecting plants and flowers in Nueva Ecija during his college years, Rafael Palma (1930) observed that his collecting instinct was already apparent. He also sought out and spent time with rural communities during this period. "Nobody suspected that he would someday become a literary man" is how Agoncillo puts it. He became interested in Spanish literature as a young law student after reading "Pepita Jimenez" by Juan Valera and other available works. Later, after meeting Valera in Spain, he became friends with him.

Leticia, Fernando, Socrates, Federico, Hipatia Patria, Espacia Lydia, Glicera Ruth, and Margarita were the eight children Epifanio had with his second wife, Margarita Torralba of Malolos, while his first wife, Doña Ursula Paez of Malabon, gave birth to four children: Jose, Rosario, Escolastico, and Antonio. Jose, his first wife's son, went on to become a collector, historian, and biographer. In addition to being a pianist for silent films, his brother Escolastico wrote poetry and told realist stories for Philippine newspapers and magazines. His second wife's son, Socrates, went on to become a prominent aeronautics engineer for the Pentagon.



Scholarly and Literary works

Some people regarded Epifanio as one of the greatest Filipino authors in Spanish at the time. His memberships included the Spanish Royal Academy of History, the Spanish Royal Academy of Literature, and the Spanish Royal Academy of Language in Madrid. Marcelino Menéez y Pelayo was an admirer of his writings.

Epifanio, who wrote in prose under the pen name G, was a youthful associate editor of the revolutionary newspaper "La Independencia" (1898). Solon and a Malolos Congress member as well. La Libertad, El Renaciemento, La Democracia, La Patria, and Malaysia are among the other newspapers he co-founded. Algo de Prosa (1909), Literatura Tagala (1911), El Teatro Tagala (1911), Nuestra Literatura (1913), El Proceso del Dr. José Rizal (1914), and Folklore Musical de Filipinas (1920) are some of his works. Additionally, he wrote Cuentos y paisajes Filipinos (Philippine Stories and Scenes), Filipinas para los Filipinos, Filipinos y filipinistas (Filipinos and Filipinists), and Criminality in the Philippines (1903–1908). He is a linguist in Spanish, English, French, German, and Tagalog.

Lope K. Santos, Rosa Sevilla, Hermenegildo Cruz, and Jaime C. were among the active members of Samahan ng mga Mananagalog, which was founded by Felipe Calderon in 1904. He spoke Ita, Tingian, Spanish, English, French, German, and Ibalao with ease. Florante and Laura were translated into Castilian by him. He belonged to the Academia Filipina de la Lengua Española as an honorary member.

As a scholar, he contributed to early Philippine studies in anthropology, ethnology, archaeology, linguistics, and demography. He traveled to European museums and libraries to collect rare documents and artifacts from and about the Philippines. As a statesman, De los Santos was elected governor of Nueva Ecija in 1902 and 1904. He was the first governor of the province to be democratically elected. After his term, he was appointed provincial fiscal of Bulacan and Bataan. In 1925, Governor General Leonard Wood appointed him director of the National Library and Museum.


Collections

Epifanio de los Santos made a lot of trips in quest of rare Philippine documents. Almost 200 paintings and sculptures, musical compositions, records of operas, written materials, documents and manuscripts pertaining to the revolution, and historical photographs were all part of his collection. His collection of Filipiniana was well-known. In Europe, he was recognized as a philologist and biographer of Philippine subjects.

His collection includes certain printed materials and documents that are thought to be unique. W acknowledged his collections from Rizaliana. Austin Craig, James A. Le-Roy, and E. Retana. 213 materials or documents about the Philippine Revolution and 115 printed works make up his collection. Following his passing, the Philippine Legislature paid ₱19,250.00 to acquire de los Santos's library and collection under the Philippine Clarin Act.


Other Interests

He was regarded as a talented guitarist as well.

According to one story, Antonio Luna offered his guitar to the winner of a quarrel between de los Santos and Clemente Jose Zulueta. According to reports, De los Santos won and got Luna's guitar.


Serving the Public

Up until November 1899, Epifanio de los Santos was one of three delegates from Nueva Ecija in the Malolos Congress, having been elected in September 1898. He was named San Isidro, Nueva Ecija's district attorney in 1900. Later, in 1902 and 1904, he was elected governor of Nueva Ecija, a position he held until 1906. As a result, he became Nueva Ecija's first democratically elected province governor and the leader of the Federal Party. He was chosen to represent the Saint Louis World's Fair in 1904 as a member of the Philippine Commission. Later on, he was named Bataan's and Bulacan's provincial fiscal. In 1907, he penned "Electoral Fraud and its Remedies" (Fraudes Electorales y Sus Remedios) for the Philippine Assembly. He also spent time studying Philippine literature and history. Fires at his home in San Isidro, Nueva Ecija, destroyed a portion of his collection. Agoncillo and Palma claim that politics was not his main focus. Governor General Francis Burton Harrison appointed him assistant technical director of the Philippine Census in 1918. 

Following Trinidad Pardo de Tavera, de los Santos was named Director of the Philippine Library and Museum by Governor General Leonard Wood in 1925. Additionally, he became the first native-born Filipino to be elected as the third President of the Philippine Library Association (now known as the Philippine Librarians Association, Inc.). According to Gabriel Bernardo, he gave up "all his other avocations except music and bibliophile" in order to devote himself fully to his profession as director of the Philippine Library.



Death and Legacy

On April 18, 1928, de los Santos passed away while in office. The principal thoroughfare in Metro Manila, Epifanio de los Santos Avenue (EDSA), bears his name. In his honor, the National Library of the Philippines has named a number of schools, streets, a college, a hospital, a printing press, and an auditorium.


EDSA

On April 7, 1959. Highway 54 was officially renamed Epifanio de los Santos Avenue (EDSA). The name change was enacted through Republic Act No. 2140 to honor Epifanio de los Santos, a renowned Filipino scholar, historian, and jurist. The date of the law’s passage coincided with his birth anniversary. 

Before becoming Highway 54, the road was known as the North-South Circumferential Road (1930s) and Avenida 19 de Junio (1946), named after Jose Rizal’s birthday.

The name was assigned by the American military after World War II. It was commonly (though mistakenly) believed to be exactly 54 kilometers long.

While it was renamed in 1959, the acronym "EDSA" only became the dominant way to refer to the highway starting in the 1970s.



He was the first well-educated and cultured Filipino to draw his fellow citizens' attention to their own notable personalities as well as to their own poetry, music, art, and literature. And he did it critically, without being overly emotional or chauvinistic. However, he had faith in his people. At one point, he said:

"We Filipinos are the most promising people in the world. We have unheard of possibilities. There never has been a people similarly situated. Here we are in the Orient, with our Oriental thoughts and sentiments, but living amidst a civilization more Western than was ever known in the East. The Philippines is the only country where East meets West. The Filipino is a true cosmopolite. From him the world may expect something new and distinctive." - Epifanio de los Santos



Sources:





This very long stretch important main highway in Metro Manila is popularly called EDSA beginning only in the 1970s named in honor of this great intellectual and nationalist.

Friday, September 5, 2025

Unknown Filipino Hero: Alejandro Roces Sr.


Alejandro Roces Sr.
Father of Modern Philippine Journalism
(1876 - 1943)


The first Filipino publisher to take newspaper publishing seriously was Alejandro Roces Sr.  In 1917, he demonstrated his foresight by granting access to his newspapers to foreign news organizations.  The Taliba, La Vanguardia, and Tribune became the largest newspapers in the entire archipelago during his leadership, and he modernized the media sector.


Early Life

On April 26, 1876, Alejandro Roces was born in Manila.   Don Alejandro Roman Roces and Dona Maria Filomena Gonzales had him as their eldest child.  His younger siblings, Rosario Roces, Jesus Cesario Gonzales Roces, Filomena Gonzales Roces, Rafael Filomeno Gonzales Roces, Joaquin Capriano Gonzalez Roces, _ Roces, and Carmen Roces, were placed under his guardianship after their parents passed away unexpectedly.  He was the one who assumed control of their family's homes and other assets.


Government Service

He was a member of Quezon City's first City Council and the Chairman of the Board for the People's Homesite and Housing Corporation.


Life as a Journalist

The first Filipino publisher to take newspaper publishing seriously was Alejandro Roces.  With his three publications—TALIBA, LA VANGUARDIA, THE TRIBUNE, and THE MANILA TIMES—Alejandro established the first newspaper chain, which grew to become the largest in the entire archipelago.

Alejandro Roces purchased the Spanish-language daily La Vanguardia in 1916. It was formerly known as El Renacimiento, which was edited by Teodoro M. Kalaw but shut down in 1923 after an American named Dean Worcester was sued for libel.

In 1925, Roces established the English Tribune, which Carlos P. Romulo had previously edited.  He started Ang Taliba as well.  With Ang Taliba for Tagalog readers, La Vanguardia for Spanish-language readers, and the English Tribune for those who subscribed to the English version, these three newspapers—also referred to as T-V-T—served a wide range of readers at the time.

In 1917, he demonstrated his foresight by granting access to his newspapers to foreign news organizations.


Personal Life

He married Antonia Padul Pardo in 1897, and the two of them have ten children: Rafael Pardo Roces, Alejandro Pardo Roces, Isabel Pardo Roces, Marcos "Taling" Pardo Roces, Filomena Pardo Roces, Mercedes Pardo Roces, Chino Roces, and Antonia Pardo Roces.


Death

He died on July 8, 1943, at the age of 67 in Manila.


In Philippine print media, his family name became associated with a tradition that perpetuated his impact.



Sources:

https://tl.wikipedia.org/wiki/Alejandro_Roces,_Sr.

https://ancestors.familysearch.org/en/MB3L-B4G/alejandro-gonzales-roces-sr.-1876-1943

https://rocesfamily.com/sm2002/rocesphils/introduction.htm