Unknown Filipino Hero: Alejandro Roces Sr.

Alejandro Roces Sr.

Father of Modern Philippine Journalism

(1876 - 1943)

The first Filipino publisher to take newspaper publishing seriously was Alejandro Roces Sr.  In 1917, he demonstrated his foresight by granting access to his newspapers to foreign news organizations.  The Taliba, La Vanguardia, and Tribune became the largest newspapers in the entire archipelago during his leadership, and he modernized the media sector.

Early Life

On April 26, 1876, Alejandro Roces was born in Manila.   Don Alejandro Roman Roces and Dona Maria Filomena Gonzales had him as their eldest child.  His younger siblings, Rosario Roces, Jesus Cesario Gonzales Roces, Filomena Gonzales Roces, Rafael Filomeno Gonzales Roces, Joaquin Capriano Gonzalez Roces, _ Roces, and Carmen Roces, were placed under his guardianship after their parents passed away unexpectedly.  He was the one who assumed control of their family's homes and other assets.

Government Service

He was a member of Quezon City's first City Council and the Chairman of the Board for the People's Homesite and Housing Corporation.

Life as a Journalist

The first Filipino publisher to take newspaper publishing seriously was Alejandro Roces.  With his three publications—TALIBA, LA VANGUARDIA, THE TRIBUNE, and THE MANILA TIMES—Alejandro established the first newspaper chain, which grew to become the largest in the entire archipelago.

Alejandro Roces purchased the Spanish-language daily La Vanguardia in 1916. It was formerly known as El Renacimiento, which was edited by Teodoro M. Kalaw but shut down in 1923 after an American named Dean Worcester was sued for libel.

In 1925, Roces established the English Tribune, which Carlos P. Romulo had previously edited.  He started Ang Taliba as well.  With Ang Taliba for Tagalog readers, La Vanguardia for Spanish-language readers, and the English Tribune for those who subscribed to the English version, these three newspapers—also referred to as T-V-T—served a wide range of readers at the time.

In 1917, he demonstrated his foresight by granting access to his newspapers to foreign news organizations.

Personal Life

He married Antonia Padul Pardo in 1897, and the two of them have ten children: Rafael Pardo Roces, Alejandro Pardo Roces, Isabel Pardo Roces, Marcos "Taling" Pardo Roces, Filomena Pardo Roces, Mercedes Pardo Roces, Chino Roces, and Antonia Pardo Roces.

Death

He died on July 8, 1943, at the age of 67 in Manila.

In Philippine print media, his family name became associated with a tradition that perpetuated his impact.

Sources:

https://tl.wikipedia.org/wiki/Alejandro_Roces,_Sr.

https://ancestors.familysearch.org/en/MB3L-B4G/alejandro-gonzales-roces-sr.-1876-1943

https://rocesfamily.com/sm2002/rocesphils/introduction.htm

Unknown Filipino Hero: Jose Palma

Jose Palma 

The Brains of the Philippine National Anthem

(1876 - 1903)

José Palma y Velásquez (Spanish: [xoˈse ˈpalma]: June 3, 1876 – February 12, 1903) was a Filipino poet and soldier. He authored the Spanish patriotic poetry "Filipinas" while working for La Independencia.  On September 3, 1899, it was initially published in the issue of La Independencia, which celebrated its first anniversary. Julián Felipe's instrumental composition "Marcha Nacional Filipina" complemented the poem, which has since served as the foundation for all translations of the Philippine National Anthem.

Early Life

The youngest child of Hilaria Velásquez and Don Hermogenes Palma, a clerk at the Intendencia Office, Palma was born in Tondo on June 3, 1876.  Rafael Palma, his older brother, was a journalist, politician, and scholar who was elected as the University of the Philippines' fourth president.

Palma continued his education at the Ateneo Municipal after completing his primera enseñanza (first studies) at Tondó.  He began writing verses while he was a student at Ateneo.  "La cruz de Sampaguitas" (literally, "The Cross of Jasmines") was one of his first compositions. He wrote it in 1893, the same year he fell in love with Florentina Arellano.  However, the girl's parents disapproved of him and ended their relationship.  Following that, he became gay and remained thus for the rest of his life.  Palma kept himself occupied with his reading passions.

Being a Katipunan Member and Joining the Revolution

Palma focused on writing more poetry as underground revolutionary activity increased.  He joined the Katipunan in 1894, but he refrained from fighting during the 1896 Philippine Revolution.  When the Philippine–American War broke out in 1899, he finally joined Colonel Rosendo Simón's revolutionary forces and fought in the battles of Ángeles and Bambán under Colonel Servillano Aquino's leadership.  He frequently stayed in camps and performed kundiman, a traditional Filipino lyrical and musical art form, for the soldiers because he was unable to physically handle the hardships of war.

During their marches away from the pursuing American forces, Palma and his colleagues in the paper often entertained themselves with songs and poetry while resting in camps or other locations.  Palma's poetic spirit was raised to a new level during one of their pauses in Bautista, Pangasinan.  when he heard Julian Felipe's Triumphant March in Kawit, Cavite.  The hymnal melody, which is currently the official Philippine National Anthem, served as his inspiration.  He composed the poetry "Filipinas" to go with Julian Felipe's "Marcha Nacional Filipina" music.

When the Philippine-American War broke out in 1899, he eventually joined Colonel Rosendo Simon's revolutionary forces and fought in the battles of Angeles and Bambang under Colonel Servillano Aquino's leadership. He frequently stayed in camps and performed kundiman, a traditional Filipino lyrical and musical art form, for the soldiers because he was unable to physically handle the hardships of war. He became a member of the Tagalog staff of La Independencia, a revolutionary newspaper. This gave him the opportunity to vent his patriotic feelings and fight the Americans in a way that he couldn't on the battlefield.

Becoming a La Independencia Journalist

Eventually, he started working for the revolutionary daily La Independencia's Tagalog-language department.  This gave him the opportunity to vent his patriotic feelings and fight the Americans in a way that he couldn't on the battlefield.  During their marches away from the pursuing American forces, Palma and his newspaper colleagues frequently entertained themselves with music and poetry while resting in camps or other locations.

Writing of Filipinas

The Spanish ode "Filipinas" was the result of Palma's lyrical mood during a break for the Bautista, Pangasinán newspaper workers.  Palma wrote "Filipinas" in Doña Romana G. vda. de Favis' home at Sitio Estación Barrio Nibaliw, Bayambang (now Barangay Población West, Bautista, Pangasinan).  In honor of Saint John the Baptist, Nibaliw was renamed "Bautista" on June 24, 1900, and separated from Bayambang as an independent town.

The instrumental piece "Marcha Nacional Filipina," written by Julián Felipe as incidental music for the Declaration of Philippine Independence in Kawit, Cavite, a year prior, was eventually adapted to the appropriate lyrics.  On September 3, 1899, "Filipinas" appeared in La Independencia's inaugural anniversary issue.

COMPLETE LYRICS

Tierra adorada,
hija del sol de Oriente,
su fuego ardiente

en ti latiendo está.

Patria de amores,
del heroísmo cuna,
los invasores
no te hollarán jamás.

En tu azul cielo, en tus auras,
en tus montes y en tu mar
esplende y late el poema
de tu amada libertad.

Tu pabellón que en las lides
la victoria iluminó,
no verá nunca apagados
sus estrellas ni su sol.

Tierra de dichas, de sol y amores
en tu regazo dulce es vivir;
es una gloria para tus hijos,
cuando te ofenden, por ti morir.

Death

José Palma died of tuberculosis on February 12, 1903, aged 26. No historical accounts are known to where his resting place is, however, his remains were believed to be interred inside the Maria Clara Parish Church of the Iglesia Filipina Independiente in Santa Cruz, Manila.

Sources

https://en.wikipedia.org/wiki/José_Palma

https://pilipinaskongminamahal.blogspot.com/2011/05/jose-palma-y-velasco.html

https://kahimyang.com/kauswagan/articles/1160/today-in-philippine-history-june-3-1876-jose-palma-was-born-in-tondo-manila

Gay Filipino In History - Walterina Markova

Walterina Markova (1924 - 2005) 

Filipino Comfort Gay

Birth Name: Walter Dempster Jr.

Birth Date: May 20, 1924, in Pasay, Rizal

Death: June 24, 2005

During the Japanese conquest of the Philippines in World War II, Walter Dempster Jr. (May 20, 1924 – June 24, 2005), better known by his nickname Walterina Markova, was a gay Filipino who was compelled to work as a "comfort gay" (sex slave) for Imperial Japanese Army soldiers.

As a young child growing up in Manila in the 1930s, Markova's life was already influenced by cruelty. He was frequently harassed and mistreated as a child by his older brother, Robert. When Robert passed away, he experienced independence for the first time.

According to Markova, he was first unconcerned by the Japanese soldiers' presence in the nation in the early 1940s. Actually, the soldiers only chuckled when they witnessed his gang rifling through a Harrison food shop.

However, Japanese forces searching for Americans nearly arrested him during a raid. When the military arrived, he was accompanied by his American stepfather, and they brought him to a garrison at the University of Sto. Tomas.

Markova claimed that the Japanese soldiers eventually turned vicious. He remarked, "In the land they do not own, they were like kings." Rice, vegetables, and other goods were seized by the soldiers to be kept in their barracks. By then, he recalled, forced labor was also enforced.

Markova joined a gang of six drag queens, or crossdressing performers, after leaving home. Japanese forces detained him when he was a member of this group and brought him to what is now the Rizal Memorial Sports Complex.

For several years, he and his friends—along with other "comfort gays"—were forced to work and were sexually exploited by Japanese soldiers, who utilized the "comfort women" for their own purposes.

During World War II, when homosexuality was seen as a societal taboo and a cardinal sin, the Japanese army compelled him to work as a sex slave.

At Japanese sentry stations, violence was a common occurrence. Markova said how they were told to exit the car in order to give them a salute. They would be beaten severely if they did not perform the proper salute, which is to bow the head to hip level with the hands-on top of the thighs. He held his cheeks and remarked, "Pag hindi maganda ang saludo mo sasampalin ka…bibigyan ka ng mag-asawang sampal" (If the salute was not performed correctly, the soldiers would slap you on both sides of your face).

After learning from an informant that a gay man had killed a Japanese in retaliation for the loss of his parents, Japanese soldiers were once hunting out gays. At the San Beda College gate, a gay acquaintance was detained, shackled, and subjected to beatings and cigarette burns by passing Japanese soldiers. Only when another gay suspect—who was thought to be the Japanese murderer—was apprehended was he released.

The culprit was then taken to Fort Santiago, according to Markova, where burning wood was placed beneath his feet and his arms were hung. It appears that during torture, all of his toenails were ripped out.

Between 80,000 and 200,000 women were reportedly coerced into serving Japanese troops at "comfort stations" across the Pacific during World War II, according to historical records.

Even when men were around, Filipino women were not safe in those days. In reality, women were raped anywhere, at any time, and even in front of their male friends, according to Markova. "They would compel women to accompany them and sexually assault them anywhere," Markova said, describing the ways in which they would violate their rights.

Markova and his gay pals were not exempt from such "service" at the age of 18, which is considered to be the age of adolescence for women.

When Markova's barkada (friends) were brought to the Japanese officials' suites at the Manila Hotel, Japanese soldiers initially thought they were ladies. In addition to being beaten with weapons for their "deception," all drag queens were ordered to be detained. After being taken to a place that is now known as the Rizal Memorial Sports Complex, the gays were raped far more frequently than comfort ladies and turned into comfort drag queens.

"Buti sana eh hindi kung isang beses lang ginawa sa amin 'yon." Lahat ng klaseng kababuyan ginawa sa amin. "Mga bakla ito, hindi ito mga tunay na babae." He recalled, "Di ka naman makapagsabi ng 'huwag,' e bayoneta ang kaharap mo" (They did it not once, but multiple times; they were even enraged that we were gay and not women; they did all kinds of nasty things to us and we were unable to defend ourselves because their bayonets were pointed at us).

The barkada or friends would be transported to other Japanese camps for years in order to provide the soldiers with their "service." They simply had a set of clothes back then, Markova disclosed. He said that while they were washing their garments, they would just wear rice sacks.

Additionally, the barkada were forced to perform labor. They would wash the soldiers' uniforms and shine their battle shoes every morning before cleaning their barracks. The lawn in front of Manila City Hall also needed to be mowed.

He claimed that despite all of their "service" and other labor, they were frequently just given lugaw (rice porridge) to eat. Giving them sisid rice—sea rice that had to be fried due to its unpleasant odor—along with mongo beans and ginataang ubod ng saging, or banana stalk cooked with coconut milk, was already a feast for them.

Markova witnessed the army raiding communities nearly every day while they were in Japanese prison. Those who were arrested would be slain after having their hands tied. "D'yan sa may Remedios Church, ang daming paring Amerikanong pinatay d'yan" (Many American priests were slaughtered at the Remedios Church in Baclaran), he said.

Markova, however, was appalled by the infant deaths. "Cheers to the sanggol!"Ihahagis nila nang pataas bago sasaluhin ng bayoneta," Markova muttered, shaking his head in fear. (Babies were hurled up in mid-air and their bodies punctured by bayonets as they came down.)

These terrible events caused Markova to live each day as though it were his last. Nevertheless, his desire to regain his freedom had not been forgotten.

About a year before American troops returned, he had an opportunity to run for freedom. He was traveling to another Japanese garrison in a military truck with a few friends. The Japanese soldiers had to disembark to inspect the truck due to a mechanical issue. It was then that Markova and his companions fled. The Japanese soldiers pursued them through a grassy field that is known today as the EDSA highway, but it was too late for them. 

Markova witnessed a captured Japanese soldier bound to the rear of a jeep one day during the "liberation." He claimed to have struck the soldier with an umbrella in retaliation. Then he removed a safety pin and poked the inmate several times.

When the soldier's American prisoners attempted to step in, he warned them, "You don't know what the Japanese did to us...they tortured us."

To exact revenge for what they had done to us, I slapped the Japanese and then struck his arms, head, and face. “But nahampas ko na ‘yung Hapon…kung saan ko hampasin, sa likod, sa braso, sa ulo, sa mukha, para makaganti ako sa galit ko sa ginawa sa amin.”

Markova was eventually left alone to tell this story after learning that his two other gay friends had been killed in a raid shortly before the Japanese occupation ended.

He retired from crossdressing years after the war ended and worked as a makeup artist for the motion picture industry. He also discovered that some macho actors in the movie business were in relationships with gay lovers.

He would spend the night in the Home for the Golden Gays in Pasay City, where other elderly gay people who had experienced persecution from society also sought safety.

Additionally, he started training young Filipinas part-time to work as exotic dancers in Japan.

Markova never believed that his story, which was already widely known in print and on television, would be worthy of a movie. Dolphy, the comedy king of the film industry, depicts his life in much more detail.

His final years were spent in Pasay City at the Home for the Golden Gays. When he was unintentionally struck by a racing bike on June 24, 2005, he passed away at the age of 81.

He was cited as saying: "Tayo namang tao ay hindi talaga magtatagal. Kaya ako lumabas ay para magbigay inspirasyon lalo na mga baklang hanggang ngayon ay inaalipusta pa rin. Because of this, naniniwala ako na hindi lang ang sarili ko ang napalaya ko mula sa ganitong pagtingin." (As humans, we won't live long. By sharing my own story, I hope to inspire other gays who are still oppressed today, and by doing so, I may have likely granted freedom to many other gay people.)

Gil Portes directed the 2000 movie Markova: Comfort Gay, which was based on his narrative. It was screened at the San Francisco International Lesbian and Gay Film Festival as well as the Seattle Lesbian and Gay Film Festival in 2002.

Source Article: 

WP, excerpts from AUBREY SC MAKILAN's interview of Walter Dempster Jr for Bulatlat.com

Photo Source: 

The Probe Team

Unknown Filipino Hero: Timoteo Paez

Timoteo Paez

Filipino Revolutionary Leader and Reformist

(1861 - 1939)

Timoteo Paez is a Filipino revolutionary and patriot. He was born in Tondo, Manila. He is widely known as one of the co-founders of La Liga Filipina and Nilad Lodge alongside Philippine national hero, Jose Rizal.

Early Years

Timoteo Paez or “Teong” to his friends was born on August 22, 1861 in Tondo, Manila. Orphaned at an early age by his wealthy father, Francisco Paez, he had to take care of himself. After finishing his elementary school in Tondo Municipal School, he took clerical jobs or as messenger in offices during the day and studied at the Escuela Nautica during the night until he completed a course in accounting.

First Employment and Participation in the Reform Movement

He was employed at the shipping company of Carrinage & Co. when he became involved with the reform movement, which he served by raising funds for the support of the reformists and the La Solidaridad abroad. On July 3, 1892, he joined the La Liga Filipina and became part of its Supreme Council. Although the organization was short lived, he continued his support to the ideals for reform. He printed and distributed Bonifacio’s “True Decalogue” and the teachings of Rizal at his own expense. 

On August 19, 1896, Spanish authorities discovered the Katipunan and as a result, they arrested many suspected members including Timoteo Paez. He suffered nine months in prison until General Primo de Rivera pardoned him and placed him in exile in Hong Kong. There, he continued to update himself of developments in the Philippines and, later, became acquainted with the exiled revolutionary leaders.

The War Years

In September 1898, he returned to the Philippines and joined the revolutionary government of General Emilio Aguinaldo that have retreated to Tarlac. He was designated commissary officer with the rank of Lieutenant Colonel and represented the province of Surigao in the Revolutionary Congress. Paez was assigned to a command field during the Philippine-American War. In April 1899, General Aguinaldo attached him to the General Headquarters Service Force as one of his security officers on their retreat to Northern Luzon. After Tirad Pass fell to the Americans, the revolutionary leaders decided to make their flight from the Americans easier by surrendering the women and other non-combatant members in their company. Colonels Paez and Sityar were tasked to accompany those who surrendered back to Manila, where he was held as prisoner-of-war.

Later Years 

When the civil government was organized, Paez was one of the first councilors of Manila. In 1903, he erected a monument of Rizal in the place where the La Liga was established and was one of those who proposed the Rizal monument in Luneta. One who strongly believed in God, he had the Ten Commandments from the Bible inscribed on a stone block.

On September 18, 1939, Timoteo Paez passed away in Tondo.

Unknown Filipino Hero: Rajah Sulayman

Rajah Sulayman

The Last King of Manila

(1558 - 1575)

Often called Sulayman III (Arabic script: سليمان, Abecedario: Solimán), Sulayman died in the 1590s while serving as the Crown Prince of the Kingdom of Luzon. He was the nephew of King Ache of Luzon. In the 1570 Battle of Manila, he led the Luzonian soldiers against the Spanish.

Manila was a walled and fortified city, and it contained his palace. Sulayman was one of three kings who fought the Spanish in the battle of Manila in 1570, along with his uncle King Ache and Lakan Dula, the ruler of the nearby kingdom or principality of Tondo. Considering his youth in comparison to the other two monarchs, the Spanish characterized him as the most violent. Following Lakan Dula's passing, Sulayman's adopted son—whom he christened Agustin de Legaspi—was anointed as Tondo's sovereign monarch. He was put to death by the Spanish, along with the majority of Lakan Dula's sons and the majority of Sulayman's other adopted sons, for their roles in an assembly that sought to overthrow Spanish power in Manila. This execution strengthened the Spanish East Indies' hold over portions of Luzon.

Names

According to Spanish records, Sulayman was referred to by his subjects as Raja Mura or Raja Muda, "Young Raja," because he was the nephew and presumed heir of Raja Matanda. Due to Spanish influence, his name is sometimes frequently spelled Solimán. The Spaniards also called him "Raja Solimano el Mow".

Family History

The genealogy put up by Mariano A. Henson in 1955 and confirmed by Majul in 1973 states that Sulayman was the fourteenth Raja of Manila after Rajah Ahmad established the city as a Muslim principality in 1258 after defeating Raja Avirjirkaya, the suzerain of Majapahit.

Manila Was Conquered by the Spanish (1570–1571)

At the time of the Legazpi invasion, Rajah Sulayman and Rajah Matanda ruled over Maynila. Already, neighboring Southeast Asian kingdoms had considerable impact on Manila. The region served as a hub for trade with China, Thailand, and other countries.

After transferring from Cebu to Panay due to Portuguese claims to the archipelago, Spanish explorer Miguel López de Legazpi ordered Martín de Goiti and Juan de Salcedo on an expedition northward to Luzon after learning of a rich kingdom there.

Goiti sent a "message of friendship" to the states bordering the Pasig River after establishing his anchorage at Cavite. Sulayman was prepared to accept the "friendship" from the Spaniards as he had been granted control over these villages by the aging Rajah Matanda. But he would not give up his throne, and he was forced to fight back against the demands of the newcomers. Goíti and his army invaded the kingdoms in June 1570 and proceeded to sack and burn the mighty city before retreating back to Panay.

The Battle of Bangkusay and Tarik Sulayman (1571)

Regarding the identity of the Macabebe chieftain who started the Bangkusay Battle in 1571, there is some dispute. Filipino history refer to that chieftain as Tarik Sulayman. Some accounts of the Battle of Bangkusay claim that Sulayman III of Manila and Tarik Sulayman of Macabebe are the same person, but others dispute this.

The Macabebe Rebel leader's name is omitted from Spanish records, but it is noted that he perished at Bangkusay, forcing the Macabebe to retire and giving the Spanish the upper hand. Conversely, Sulayman III is unmistakably documented as having taken part in the Revolt of 1574, and hence he cannot be the anonymous person who perished at Bangkusay in 1571.

The 1574 "Sulayman Revolt"

Following the death of Lopez de Legazpi in 1572, the agreements made with Sulayman and Lakan Dula were not upheld by his successor, Governor-General Guido de Lavezaris. He put both kings' properties under lockdown and put up with crimes committed by the Spanish.

In retaliation, Sulayman and Lakan Dula staged an uprising in the Navotas villages in 1574, taking advantage of the chaos caused by the Chinese pirate Limahong's attacks. The Sulayman Revolt is also known as the "First Battle of Manila Bay" because it engaged naval forces. This is commonly referred to as the "Manila Revolt of 1574," while it is also occasionally called the "Sulayman Revolt" and the "Lakan Dula Revolt."

It was the duty of Friar Gerónimo Marín and Juan de Salcedo to negotiate a settlement with the kingdoms. Salcedo's peace deal was accepted by Lakan Dula and Sulayman, and the two parties established an alliance.

Life after 1574

Some American Occupation sources state that Sulayman was murdered in the 1574 insurrection; however, this seems to be another case of Sulayman being mistaken for Tarik Sulayman of Macabebe, who had already passed away in the 1571 revolt. According to an analysis of genealogical records held by the National Archives, Sulayman survived the uprising in 1574 that resulted in the death of his son Rahang Bago. He also lived long enough to adopt an unidentified sibling's children and claim them as his own grandchildren.

The narratives of the events of 1586–1588, which involved numerous members of Sulayman's family, no longer mention him.

Descendants

Genealogical research by Luciano P.R. Santiago indicates that Sulayman married a Borneo princess, his cousin, and that they had at least two biological children: a daughter who would be baptized Doña María Laran and a son known as "Rahang Bago" ("new prince"; written as "Raxa el Vago" in the Spanish texts). According to a tale claimed by the Pasay administration in the 1950s, Sulayman had two children: Dayang-dayang (Princess) Pasay, who would inherit the lands south of Manila that are now Pasay and Parañaque, and a son named Suwaboy. But in the chaos that followed Limahong, the Chinese corsair, attacking in November 1574, Rahang Bago and his cousin Lumantalan were slain by the Spanish.

Santiago's investigation revealed that Doña María Laran had two daughters: Doña Inés Dahitim, the older, who wed Don Miguel Banal of Quiapo, and Doña María Guinyamat, who wed a Don Agustín Turingan. According to Luciano P.R. Santiago's theory, Don Miguel Banal was the son of Don Juan Banal, who was charged in the 1587 Tondo Conspiracy. According to Santiago, Don Miguel Banal and Doña Inés Dahitim are credited with bearing Fray Marcelo Banal de San Agustín, the second Filipino to enter the Augustinian Order.

According to the oral tradition that the Pasay local administration cites, Dayang-dayang Pasay moved to Balite after marrying Maytubig, a local prince. According to folklore, they had a daughter named Dominga Custodio who, before her death, bequeathed all of her estates to the Augustinians.

Santiago asserts, however, that Sulayman had adopted descendants in addition to his own offspring. According to Santiago's genealogy research, Sulayman may have had a male sibling who passed away before Rahang Bago in 1574 but whose name is not mentioned in the documents. Sulayman made the decision to adopt this sibling's boys, who were named in the documents as Don Jerónimo Bassi, Don Gabriel Taumbasan, and Agustin de Legaspi. Sulayman's three adopted children took part in the Tondo Conspiracy in 1587; only Taumbasan, who was banished to Mexico for four years, escaped execution.

Others

Historiography of Meranau places him among these kings:

Sulayman Rajah

Maharaja Indarafatra

Umaka'an Rajah

Legacy

A statue of Rajah Sulayman, a hero opposing the Spanish invasion, is located in Manila's Rizal Park. One of two science high schools in Binondo, Manila, Rajah Soliman Science and Technology High School bears his name.

Gay Filipino In History: Crispulo "Pulong" Trinidad Luna

Crispulo Trinidad Luna (1903 - 1976)

Early Filipino Transvestite

Birth Name: Crispulo Trinidad Luna

Birth: June 10, 1903 in Sasmuan, Pampanga

Death: May 1976

Pulong as he is fondly called is the first prominent Filipino gay crossdresser. Although obviously, he is not the first Filipino transvestite as there are Filipino transvestite during the Spanish colonial period, he prominently sits for portraits working for Victoria Studios and his life was well documented by his relatives. His life is colorful yet meaningful and paved the way for modern day transvestite now with the popular drag race. His story was first written and told by the award-winning writer J. Neil Garcia in his book "Performing the Self: Occasional Prose" and in fact, Pulong made the cover of his acclaimed book. Almost all of the information in this article came from his book and written journal, "Budhi: A Journal of Ideas and Culture" published by the Ateneo de Manila University publishing house.

Lolo Pulong was born Crispulo Trinidad Luna on June 10, 1903. He is the third child of four children of the couple Pedro Luna and Candelaria Trinidad both of Sasmuan, Pampanga. He grew up in Orani, Bataan where his father earned a living for his family as a fisherman. When his husband died, Candelaria moved the family to Tondo until her children are old enough to become independent and have a family of their own. 

Even as a very young boy, Pulong had been "soft" and "effeminate" - he has a light skin which makes him appear like a mestizo and his features is delicate which is no surprise for his family that he did not get married as all of his siblings did. His sister recalls that each time a well-meaning family offer to find him a wife, even at the ripe old age of 50, invariably, his response, delivered with unflappable grace, was, "Pero por Dios, babae ako!" (For heaven's sake, I'm a woman!). Pulong was never subjected to a moralizing judgment by his siblings or by anyone in their families in fact, petty jealousies erupted among them whenever Pulong chose to live with any one family for too long. 

In the late 1920s when he was at least 25 years old, Pulong had made friends with the owner of the Victoria Studios in Paco, Manila where some of these pictures of Pulong (and a picture with his live in partner Juan) were taken. This studio was located close to the home of the sibling with whom Pulong is staying at the time. 

As was the case with other photo studios and establishments of its kind, a customer wishing to be photographed by the Victoria studio could choose to avail himself or herself of any of the costumes which the studio kept in its wardrobes. Pulong had pictures of himself taken well into his twilight years. He ended up with a sizable collection of these visual self-representations which, arranged chronologically, comprises the narrative of his life. In them, we find him all dressed and made up in feminine poses and styles, reflective of the fashion of the time. 

In one photo, Pulong has transformed himself into "Madame Butterfly" complete with kimono and geisha headgear in a homage to Puccini's benighted heroine, whose opera had just opened in Manila. In another photo, Pulong is wearing a more contemporary American-style dress standing beside a seated woman in a traje de mestiza (a Spanish-inspired dress usually cut out of cloth made from pineapple fibers). 

 

Although Pulong's effeminacy shifted effortlessly from being a "simple" (speaking in a soft and sing song manner, walking demurely acting like a modest dalagang Filipina or Filipino maiden, etc.) to "moderate" (putting on a little makeup, wearing women's undergarments and accessories), to "elaborate" (going in full drag), but only occasionally and inside the privacy of this friend's studio did he let his hair down, and go the whole hog to pursue the dream of crossing over.

Soon after these pictures were taken, Pulong became involved with and eventually became a supposed to be "wife" to a certain maestro carpentero or master carpenter (equivalent to foreman in a construction site), a strapping man five years younger, whose name was Juan. They live in their own dwelling place - a "love nest" of some sorts. This was an arrangement that the families of both side of the relationship involved have no problem or issues with. Years living with Juan were the happiest years in Pulong's life. Pulong's nieces remember that their uncle Pulong occasionally told them that Juan was the first and last "love" of his life. It was while living with Juan that Pulong had sharpened his home making skills, the most noteworthy of which were cooking and sewing. Pulong kept a clean and cozy house for his partner, and later in his life, he would continue to do the same for the family of his sister Miguela, and much later on with the family of this sister's daughter, Patricia or Aling Pat. This "conjugal bliss" last only a few years. Working on a house one day during the Japanese occupation, Juan fell from the scaffolding, and from the fall suffered an internal injury which caused his death about a month later. 

After World War II following the liberation from the Japanese forces, Pulong moved into Miguela's (Gelay), house in Santa Ana district, Manila. As if providing Gelay house help and assistance managing her household was not enough, he worked as a part-time sari sari store attendant owned by Aling Sabel, a family friend and accepted to do handwash laundry services as well as perform many other housekeeping chores for friends and acquaintances who could afford to pay for his service fee. Pulong decided to stay with her sister Gelay because she suffered from the tragic fate of losing her babies to crib death one after the other. Out of a total of 14, only six of her children survived including Aling Pat. He played important role raising these children, teaching them, particularly the girls, how to be "decent", how to keep themselves clean all the time, to wash, iron, mend clothing properly. He gave them strict instructions in the matter of boyfriends, and imposed curfews whenever they went out. Of course, it was not beneath Tio Pulong to size up his nieces' prospective suitors. We can only imagine how terrorized those poor boys must have been, every time they came to the house to call. 

Ever if he devoted a good part of his life helping his sister raise her family, he usually managed to get a few moments to himself. Aling Pat recalls that after Tio Pulong had moved in with her in 1970, the old man would sometimes go out to watch movies with an effeminate friend, a bubbly, grey-haired man he called Tiago. Other than the movies, the two of them also like taking long, leisurely strolls down Hardin Botanico which later eventually be called as Mehan Gardens.

Patricia remembers that toward the end of his life, Lolo Pulong received regular visits from his friends, Josie and Tessie, a pair of garrulous gay beauticians from the neighborhood who have the tendency to be a little loud and swishy. These two were given to calling the old man, endearingly, their "Lola Pulonia." Sometimes when Lolo Pulog could no longer abide their brash  and unladylike ways, he would shush and promptly reprimand them. The three of them comprised a happy bunch, breaking out in giggles over stories of sexual escapades both remembered and imagined. During these times, Lolo Pulong's face could be seen to light up, as though in his mind he was already somewhere else, sashaying in a floral sun dress in a life he'd always wanted and once probably did get to have, dreaming he was with his beloved Juan once more, young and looking fabulous as always and free.

Crispulo Trinidad Luna who was fondly called Lolo Pulong by his loved ones and people who knew him passed away in May of 1976 due to a stroke or a ruptured aneurysm.

On the right, Pulong is wearing a more contemporary American-style dress standing beside a seated woman in a traje de mestiza (a Spanish-inspired dress usually cut out of cloth made from pineapple fibers). Lest the viewer be misled, the third figure in this photo to their left wearing a Commonwealth-period Filipiniana native dress is probably also another man.

Sources:

J. Neil Garcia - Performing the Self: Occasional Prose, Budhi: A Journal of Ideas and Culture